Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Sunday, October 25, 2009

Life Magazine: The Strange Case of the Nimer Murders

A two-page article in the September 22 1958 issue of LIFE magazine relates the chilling tale of the Nimer murder case. The double homicide of Mr. and Mrs. Melvin Nimer was sensational at the time because the chief suspect in the crime was their eight year old son, Melvin Dean Nimer.

82499739 Sometime before two in the morning of September 2, 1958, Melvin Nimer and his wife, Lou Jean Nimer were attacked by an assailant in their Staten Island home. According to their son's initial account,as a masked man attempted to choke him, his parents, rushing to his aid, were stabbed in the struggle. Based on the boy's description, police issued a manhunt for a white male, wearing blue dungarees and a blue print-striped shirt.

From the early hours of the investigation, officers felt that something didn't add up. Given the fact that he had witnessed the violent death of both his parents hour before, his calm behavior seemed unusual.

Suspicion of the boy's guilt was also based on the fact that no easy means of entry was found. According the Frank Donnelly of the Staten Island Advance, "retired police officer Vincent Meli, who, along with his late partner, Officer Harry Tyson, were the first cops on the scene, said the locked exterior screen door at the Nimer home and little Melvin's unnaturally calm demeanor convinced him the boy had killed his parents - despite statements by the youngster and his dying parents to the contrary.'Back then, I knew he did it,' the 77-year-old Dongan Hills resident recently told the Advance. "The door was locked. Melvin NimerThe bad guy didn't lock the door on the way out.'"

Yet, was it really possible for a child to murder both his parents in such a cold-blooded way? He certainly didn't seem like a killer.

Aside from the Dean's account of events, there was physical evidence, which seemed to back up the boy's story. Strips of cloth, matching nothing else found in the house were discovered on the boy's bed and were conceivably to be used as a gags and restraints. Police initially thought the strips of cloth might have come from an old hospital mattress. It was never traced or identified.

Additionally, detectives found a set of footprints at the rear side of the Nimer's home and plaster casts were taken at that time. The following day, patrolmen found a knife in a hedge about 1000 feet from the site. A laboratory analysis revealed traces of blood on the weapon. It was impossible to determine whether the blood residue was animal or human. Despite evidence seeming to corroborate the child's version of events, the detectives remained suspicious.

With Dean's uncle's consent, District Attorney John M. Braisted Jr. sent the boy to the Staten Island Mental Health Center on Friday, September 5, just three days after the deaths of his parents. Under the direction of Dr. Richard Silberstein, doctors examined Dean on Friday and Saturday. After these examinations it was disclosed that Dean had changed his original story and was now confessing to the murders of his parents.

On the day after of his parent's September 9 funereal, New York Journal-American broke the story that the Melvin Dean Nimer was the chief suspect in the murder of his parents. Braisted, instead of refusing to comment, confirmed that the boy was under suspicion. In fact, he stated that preliminary psychiatric examinations had shown the boy to be suffering "from a paranoid type of schizophrenia and the boy's illness and basic personality were compatible to the commission of a violent crime."

With seeming confirmation by the local authorities, press agencies picked up the story and spread it across the nation. Despite the obvious implausibility of an eight year old boy murdering both his parents, despite the lack of blood on the boy's pajamas or a lack of any motive whatsoever, Braisted continued to focus his investigation on Melvin Dean Nimer- effectively trying the child in the court of public opinion.

Into the case swarmed more than 60 New York detectives, who questioned 1,000 people, including patients at the nearby U.S. Public Health Service Hospital, where promising Resident Surgeon Nimer began work two months before. But nothing clicked. No motive appeared; the house was not robbed, and how the prowler entered was unclear. Questioned repeatedly, little Dean told conflicting versions of the sequence of events. Some cops were struck by the boy's unusual intelligence, others by his consistent lack of emotion. ("My mother and father's dead," he told one cop after the tragedy, and rode off on his bike.)

Medicine: The Suspect Time magazine article ( Sep. 22, 1958 ) http://www.time.com/time/magazine/article/0,9171,863900,00.html

Even at this early stage, some reporters began to question the disturbing direction of the investigation and the motives of the authorities. "Minds seemed more preoccupied with the question of the reflected image than they were with the baffling details of the horrible crime."

In a press conference on September 12th, Braisted was asked by Vincent E. Sorge, a reporter for the New York World-Telegram about an rumored exchange between the dying Mrs. Nimer and a detective. In the exchange, Nimer supported details in her son's description of events and the suspect. At first, Braisted admitted that the dying mother had vindicated the testimony of her son.

However, he then back-tracked."I will make no comment on any published statement attributed to victims of this crime. I am declining comment because I sincerely believe that comment would impede our investigation." Reporters continued to press the district attorney in the following days and finally he admitted that Mr. Nimer had also used to word "prowler" and "mask" prior to dying of his injuries.

On Sept 19th, 1958, the Daily Record writes that reporters pieced together an altogether more probable scenario. Police stated that on June 19th of that year, the owner of the house that the Nimers rented had left a full set of keys at the switchboard of the US Public Health Service (where Nimer and the owner both worked.) The set included the front and rear doors of the house and the overhead and side doors of the garage. The keys were in an envelope with the Dr. Nimer's name written on the front. Police theorized that that copies were made by somebody who may have worked or may have been a patient at the hospital.

50579233 A few weeks later, only after the entire nation had been stunned by the confession of an eight year old "murderer" did Detective James Cox begin to take a more logical view of the case. He discovered that two formal medical reports written by Dr. William Smith, an associate of Dr. Nimer, and another independent physician. These reports which had been written shortly after the murders, established that strangulation marks on the neck of Dean supported the original testimony. The marks could not have been self-inflicted due to their size and position.

Even upon this revelation, officials refused to admit their series of mistakes in the case and publicly maintained that Melvin Dean Nimer remains a possible suspect in an unsolved case.

If you are interested in learning more about this case, you may find more information at the links below. I have also included interviews with the adult Melvin Dean Nimer who discussed his case at length.

Video Links:

Staten Island Advance Reporter Frank Donnelly talks about his experience reporting on the Nimer case.

Special Thanks to: A view of the Nation: an anthology, 1955-1959 By Henry M. Christman (contains an excellent article about the Nimer murders)

Tuesday, March 31, 2009

In Memory of Helen Levitt

Helen Levitt (August 31, 1913 – March 29, 2009) was an American photographer. She was particularly noted for "street photography" around New York City, and has been called "the most celebrated and least known photographer of her time.

Born in New York City,  Levitt began her career in photography at age 18 while working in a portrait studio in the Bronx. It is there she acquired technical prowess but the inspiration to make images came through a consumption of art and photography exhibits, theater performances and films. While other photographers of the 1930s were documenting social injustice around the country and the world, Levitt chose to devote a long career to a place and people just blocks away: the children of the New York neighborhoods. Her photographs reveal the subtle expressions and gestures of adults engaged in conversation and children at play in curious and imaginative ways. Levitt is often referred to as "one of the great living poets of urban life." Her photographs are collected by most major museums world wide and she continues to live and work in New York.

  http://www.stephendaitergallery.com/dynamic/artist.asp?ArtistID=26

http://www.npr.org/templates/story/story.php?storyId=102504602

Saturday, November 15, 2008

Journey down Broadway

 Manhattan New York Black and White Photography Manhattan New York Church Black and White PhotographyManhattan  New York City Museum Black and White  PhotographyNew York Autumn Photography

 

I took all of these photographs today while I was making errands. New York is such a beautiful city but some reason, all of my photos seem to come from the same general area of lower Manhattan. I really have to explore further out next time. Hope you like them.

Tuesday, October 14, 2008

The Next X

from Saturday night September 12th 2008

I went out to  THE DOCKS last night. There was a 1984 Prom Night Party in which everybody (almost) dressed up in period kit. I had forgotten that this was the night of the long-discussed event. It kind of makes me sad when people look back nostalgically on a time that doesn't seem all that different to me.

I noticed that all the women were still quite concerned over looking attractive and the next xnot at all ridiculous-as opposed to keeping to the period. Men, on the other hand, could afford to push their costumes to the edge of silliness. I suppose that no matter what the theme of the party might be, these women have to think about the game.

I sat at the bar and talked a bit to an older guy-I think his name was Kip-whose wife was from Missouri. (This was our only possible connection but it seemed to interest him extraordinarily.) Lola the very former Rockette dancer was there, nursing her white wine with a lizard like smile on her face. In fact, she is a very funny woman-although at times I am not exactly sure whether she intends to be. This is true of most New Yorkers, their sense of humor is very sharp and dry and, unless it is part of the act,  they rarely find anything humorous in the things they say.

Anyway, sitting at the bar was also a round black guy named Jackson. He and Lola were discussing the size of the galaxy and what would eventually happen to it.  The great thing about meeting people in a New York bar is that the conversation is almost always entertaining. They are quite developed in this respect. They may not exactly be well-informed or even correct about a lot of the subjects but they seem to be full of interests. (This is a key ingredient of good conversation, I have always thought.)

For example, Lydia was telling us why meeting and developing relationships with people on Internet was such a lousy idea. "In order to judge whether a person is good or bad, I need all my senses. Not just sit there typing. That's nonsense. You have use your sense of eyes, your nose, your touch.."

I stopped her. "Your nose?" I think I laughed a bit.

She appeared slightly miffed at my reaction. "Sure, everybody has a smell. Years after somebody dies, the smell remains in their clothes."

"Well, I hope I don't smell too much. What about Kip?"I asked, who had just left.

She took a sip of her wine and waved her hand."Oh, him. No, he just has bad breath."

Later, after Lola and Kip had left, Jackson and I remained in the far end of the bar, increasingly pressed together by the crowds. The music became noise and, as more and more people piled in, it soon became apparent that the owners of the bar had never expected this turnout. Seriously understaffed. Normally in a bar, you have a line of customers waiting at either end. About an hour into the party, the entire bar was crowded with people, standing over the people trying to sit at the bar. You could see the entire order of the bar break down and customers becoming frustrated, but still laughing. Jackson kept saying he would be leaving and instead other Jack Daniels would appear. He finally had to wait for nearly an hour to get his credit card back.

I made eye contact with a lot of men and women after Jackson left. One woman sat next to me and began talking. Her name was Andrea and she was covered in ugly tattoos like lichen on limestone. She began this stream of mindless chatter that I could barely understand amid the live music. (The speakers were right behind us in any case.) On and on she went, something about her ancestry. Finnish -Irish. Something about her being married 3 times. At first I strained to hear every word and then I realized that it would not be worth it in any case. This was no place to have a chat and she was probably not the kind of person I would appreciate or even enjoy. Eventually she became an annoying addition to an already uncomfortable situation. "Are you married?" She suddenly asked me. I stopped for a second. And she said, "Ah, you are. " In fact the reason I hesitated was simply because I had to remember. "Yes, I am." "Oh," she looked sadly in her drink. "Figures, the only handsome man who isn't gay or with somebody, I should have known. Well, we can just be drinking buddies then." Frankly, although I didn't say it, but I wondered if I even wanted to spend the next three minutes with her. There was this particularly irritating desperation and bullying approach. As if I had broken her heart by being married, she scrambled off the bar stool and was suddenly gone. I apparently played some minor role in her drama of the night

Right after that, a kind of inward focus took over, you know that feeling if you have ever drunk a wee bit more than necessary. Like the circle of awareness has irised in and a circle of about 5 feet is all that is important. I recall that there was the married couple silently searching for a third. She was tall and thin and unattractive in a British housewife sort of way. He stared on in the background with a cool and distant glare, waiting to give his inevitable nod of approval for her choice. However, his distance bordered on effeminacy. But something in my return glance must have given the show away for they retreated into the crowd like something that rises from the greenish murk of a lake by its own gases and then softly submerges once more.

Walking home in the drizzle, I crossed the street and looked over into Brooklyn. The Veranzano bridge was lit up with pale greenish lights and the top half of it was lost in the rain clouds. Maybe it was the alcohol but I suddenly had this wonderfully giddy feeling. As if I was the luckiest person, to be here and to be now, after everything I had been through. All those suicidal feelings in Greece that had come and had gone while I was slowly being digested by the sounds of the waves and wind off the sea. All through that time, I kept telling myself that things would get better although I didn't believe it. It seems as if just repeating that assurance was in itself a reassurance.

But now standing at the railing, looking over the skyline at night, the throbbing sounds of music from The Docks, I felt euphoric to know that it had, in fact, been true. Things had not been quite as bad as I had thought. Nearly… but not quite. And it is not as though I would have been so greatly missed by the world if I had died. There might have been a few tears for a few days, but experience has shown me that the tide of time washes away every trace very quickly. (It is the perhaps the privilege of the chosen few to bear the burden of remembering.) But, suddenly it seemed lucidly clear that if I had my attempted swim back to Turkey, I would have cheated myself of this experience. This glorious view of New York. The bar, the crowds the music, the excellent conversations with Lola and Jackson and Kip. That marvelous appeal to one’s vanity of being studied as potential bed partner by a stranger. The little dramas between people that happen out of nowhere and vanish just as suddenly. Meeting people briefly and knowing you will probably never meet them a second time. I would have stolen from myself all that and all that is to come.

When I got home, Amy was tattooing Brad's leg. Actually she was filling in the outline of the mysterious number eight on his leg. The sound of the buzzing of the tattoo machine sound like a huge but invisible wasp. I told them about the annoying woman with the breakneck chatter trying to pick me up and Amy said, not looking up from her work, “She was probably looking for her next ex-husband.”

Saturday, October 11, 2008

But I am not a Zombie

September 2008

Zombie Party Man FearSo last night, Brad had a party here. It wasn't extraordinarily  successful and he said he was disappointed that not a lot of people came. I tried to keep to my room and fiddle with the computer. When there is a party- and you aren't actually throwing it-  and it is in the house you are living, there is a dilemma about whether to come out and participate or to stay aloof. 


The risks are on both sides. First of all, you will be surrounded by people you don't know and you may be on the outside of every conversation. This depends on the type of people mostly. If they want to be friendly then you may have to listen to a lot of filling-in in order to grasp anything at all from the conversation.  Or you can take the other way, and sit in your private space. , feeling more and more lonely and bitter. Meanwhile, people think of you as freakish.
I tried that but finally gave up that up. As it turned out, Brad had been telling everybody that all I did was stay in my room all day. I am always afraid that, as the performance art begins, I will unintentionally and unconsciously sneer. Anyway, I went out but sat at the far end of the room, a low risk spot. The very worst thing would be to say something supposedly witty and to see people exchange looks and laugh nervously. 

So I am sitting there on the opposite side as the rest of the room, suddenly I see something  small fly across the room and land on the sofa a foot away. I thought, in quick succession, what and who. I looked and saw it was a quarter and not a bottle cap.. but I suppose my feelings were a little hurt.  All of Brad's friends as a little elitist group and anybody who isn't in THEIR crowd is an outcast. So, I thought why should I have even come out. To have things tossed at me? What a rude thing to do, I thought.

I went back to my room. I saw in front of the computer and checked my mail and the news for the hundredth time today. 

About a half hour later, I could hear Amy and some woman talking in the hallway. The unidentified woman was telling Amy how they had spent about 30 minutes outside, ringing the doorbell. (There is no doorbell. The wires hang off the wall like two bean sprouts.) Finally, I can hear the woman say, " and  so, we had to throw coins through the window to get somebody to answer the door!" So, I jumped up and opened the door and said..."So it was you?"

Feeling much better, I went to the market downstairs and bought a 6 pack of beer. Took it back to the party and sat and drank and watched the performance. The performance itself was nothing to write home about.. consisting mostly of a reflection infinity effect from the camera to the projector. People sometimes stood in front of the wall and made strange effects. Other than this, it was a university party.

I was still sitting on the far side of the room. The woman, who was about the same age as me, turned to me and said, "What do you think of this?" I didn't want to say what I really thought but I also didn't want to lie. "Not bad."
"Do you think it is creative?"
"I think it is.. or Brad wants it to be."'
"He is an important artist. What do you think of his work?"
There was a kind of suspicious tone, as if she were probing me. "It is performance art and I don't really know much about that. Anything I would say, would probably be ignorant. Personally,"I said slowly,"I don't think much of it."
"Hmm."
I felt as if I should keep my mouth shut. "I mean, I think he needs to grow as an artist. Right now he is just starting out and things are going to improve over time."
"Frankly, I don't know how either of them earn enough money to live in this apartment. Neither of them seem to have a real job," she said, leaning closer. She was guarded and careful about each word and checking for my response.
"I know. It is amazing to me."
And that set us off on the right track. Her name was Mary. Her hair was a kind of mix of yellow and orange and she wore fashionable glasses. She dressed in Neo-hippie style which, in fact, suited her quite well. She, at 52, was after all an original hippie.We discussed Art with a capital "a" and the community in Staten Island.. and the gallery. I told her my ideas about the best direction for the gallery. She told me she was a poet but that she didn't consider herself very successful. "I have to work."
"Well, as a poet, you cant expect to earn enough to live. I don't think that is very likely."
"Oh I know that. But it is the kind of work I do. I deal with sick people all day. It takes all the creativity out of my life."
Although I was a bit skeptical, I understood what she meant. "Most jobs do that in one way or the other."
"I should change the direction of my life."
"Yeah, you can do that. You really have to want to do it, but it is easy to change. You have to be willingly to give up a lot of the things you are used to. Normally, though, you replace them with new things and probably better things."
"Like.."
"Well, for example, you watch a lot of TV?"
"Not much"
"Well, suppose you had to give it up completely, but suppose you would replace it with sitting with your friends in the evening and talking?"
Her husband suddenly joined in. "That would be better, of course. Talking with people is always better."
"It is usually like that."
And so we spoke all night long as if we had known each for years. I invited them to come to Turkey. She had never traveled too much. I think she said she had been to the Caribbean once but never to Europe or the Far East. No place where the majority of people did not speak English. I told her that travel would open up her eyes in so many ways. Ok, trite and over-worked, but essentially true.

We discussed the possibility of her giving a poetry reading at the gallery. I said that it would not be difficult to arrange and the number of people attending should be about the correct number for a reading. I told her that, although we would have to check with Brad and Amy, the gallery could be arranged to match whatever kind of environment she would need to support the mood of the work. For example, the projector could be showing a slide show at the same time which would give a kind of concurrence or contrast to the words she was reading. She seemed interested but perhaps a bit nervous about it.

Her husband, Roy.. thin Slavic, bony, a bit of a lush, trying to affect a stronger accent than normal. Trying hard to be.. funny.. or Italian.."Shudup. Don be sa Stooooo pid" or something besides intoxicated. I could tell he was more nervous than I was in crowds and found that, without alcohol, it was difficult to make contact.  after he became more comfortable, I noticed he drank slower and he added to the conversation more and more, making jokes about himself.

Eventually, the guests began to leave in groups and we remained there, eating the leftovers and olives. "If they are going to have.. something like this, they really ought to have something to snack on."
"You're lucky. He was talking about selling glasses of wine."
They decided to walk the distance to their home and invited me to join  them. I hate to speculate where that might or might not have led and I think it was best to leave it where it lay. I gave them my number and told them I was definitely up for a meeting at a local bar during the week.
At the end, Brad told me that he had work in the morning."Oh yeah?"
"I am an extra in a film. I have to get up in.." he looked at the clock,"oh God, three hours. I never would have agreed if I had known I had to get up THAT early."
"But a film? What kind of film?"
"Independent. It is about zombies. It's a zombie film." Original, I thought. "It's a comedy about .. zombies but they are really talking about conservatives."
"If,"I told him,"if it is about zombies, then don't worry about getting up early. You will look the part if you don't go to bed at all."
"The problem is, I am not a zombie."

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